martes, 12 de enero de 2010

El aspecto que habrían de tener los recintos contenedores de lo sagrado






"The fish shape harks back to the symbol used by the early Christians, who adopted the Greek word Ikthus (‘fish’) as sign of recognition. The boat is also an important symbol for the project, expressing the idea of community travelling towards the same goal"St. Henry's Ecumenical Art Chapel
Design Team: Matti Sanaksenaho of Sanaksenaho Architects
Location: Turku, Finland

St. Henry's Ecumenical Art Chapel is placed in the landscape like religious buildings traditionally were. Outside the city of Turku, it stands upon a hillock amidst pines and spruces on the island of Hirvensalo, an area characterised by open fields and wooded hillocks. The shape of the building follows the contours of the site. The gradually forming green patina of the copper cladding blends in with the colour of the pine trees. Amidst the buildings of an activity centre, the chapel resembles an old village church.

The entrance to the east-west oriented church is from the western end. The permeating idea is that of a quiet journey towards the east, the altar. The lighting, too, confirms this idea. One walks from darkness towards light from a hidden source. The elongated nave is organised in two parts, the chapel in the front part and the gallery at the back. The visitor can study the works of art during the service. The arrangement is familiar from Renaissance churches.

http://travelwithfrankgehry.blogspot.com/2009/05/st-henrys-ecumenical-art-chapel-by.html

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